Fine Tuning: Concio et Cantio
The folks over at Liturgy Solutions (independent music authors for the Divine Service) have started an excellent blog. The recent post discussing Daniel Zager (of Eastman School of Music) and his presentation at the recent WELS music/liturgy conference is especially good. I urge you to add them to your ever-burgeoning blogroll…
First, the overarching question is how should the music function in divine worship. Music may evoke several different responses from people as it unfolds in worship, but the bedrock question of how it ought to function needs to be clear. If we are going to be Lutheran in our worship identity, we ought to start with how Luther and the early Lutherans dealt with the subject. For Luther, singing was an extension of preaching. It was the way people heard the message of the preaching anew – through song. The preaching was often tied to the Gospel and so the music was often tied to the same. Regardless, music was a partner in the ministry of the Word. This practice was very much in play for Praetorius and also for the later composer J.S. Bach, who wrote cantatas mirroring the Gospel readings for the day.
When we think of music in our worship today, is this our understanding? Do we really believe that music serves a unique place to help people reflect upon the subject of the preaching. Do we use music to teach them different facets of what they hear read and preached? Often the answer is no. We frequently are sidelined by the culture of our congregations, thinking that they cannot handle such “lofty” things. In doing so, we fail to give them the opportunity to contend with the subject. We short circuit the process before it even has begun. Is it naïve for us to think that we can actually teach our congregations to have this uniquely Lutheran outlook concerning their singing? As difficult as congregations can be, I think, even so, the answer is, not only is it not naïve, but it is a mandate, and spiritual treasure awaits the congregations who can meet the challenge.
The job of the pastor and church musician is to teach their congregations this very thing. They are to gently instruct people that their singing is part of learning Holy Scripture and even more, part of their receiving the gifts of Christ. When they come to church, they should not look for a pep-rally. Nor should they have a bad attitude when a hymn they do not prefer is sung. Congregations need to be guided into an understanding that what they receive in church is something completely other than what they receive on their radios, in their theaters, or on their favorite CDs. Music in the Divine Service is to point them to Jesus. Sometimes the hymns will be hard. Sometimes they will be easy. Sometimes they will be something the people like. Sometimes they will be something they do not like. They may have to learn something new, while singing other things that are very familiar.
